Dear Reader,
It is fundraising time at the Secret Society of Lathe Trolls. We need your help, in any brash or humble manner, to keep operating beyond our 17th year, into the 18th. (Our 17th anniversary was June 24, 2022. It snuck by us this year!)
As you know, this site is the grassroots worldwide chat forum devoted to all aspects of record cutting and pressing, professional and experimental. Your financial contribution will allow me, the admin of the site, to continue to serve you behind the scenes, and to pay the site's service expenses. Details of what your contribution supports are further down the page.
Please contribute now to keep the Lathe Trolls site running.
Clicking this golden PayPal "Contribute" link, or the golden button at the top of any page of www.lathetrolls.com, will allow you to enter any amount you'd like to give (one time, or monthly). Or, PayPal to lathetrolls@gmail.com. Please email or include a note to help me link/credit your username correctly on the "Our Sponsors" page. (The paypal page will read "Doc Wurly." That's me: I repair Wurlitzer Electric Pianos from my Brooklyn apartment, while I'm not rewiring the site.)
All contributions fund our hosting and domain expenses, and support my labor keeping the site operational.
A contribution of $20 USD will make a big difference. Smaller amounts ($16.66 or $7.80, for example) will add up, as long as everyone pulls their weight. If your business income or most meaningful hobby depends on the site, please consider more: $33.33 USD is a magic number. For donations of $45 or more, you can customize your link, and also have it connect to a webpage outside the Lathe Trolls site. Banner ads are available for $78 on up--email me for details, or read this link. A checkmark at the Paypal page gives you the option of making a monthly contribution, too, of as little as $4.50/month. (This is a great option if your cash flow is low and your allegiance is high). Your giving will keep this community, and this vital database of record-cutting knowledge, alive.
As you know, this one-of-a-kind site runs without major support. We don’t have fees: neither for membership, nor even, as of now, for the "Classifieds & Tip-offs" section listings. All we have are your friends and you: quirky brilliant individuals; proprietors of niche businesses; expert operators of mastering and pressing equipment; researchers; vinyl fanatics, and/or professional and home tinkerers and inventors. You are the Lathe Trolls. You make the site worth visiting. I, with your help, and with the generous volunteer efforts of our moderators, keep it functioning.
This administration is generally performed and/or refereed by this one guy writing you: a freelance musician, Wurlitzer Electric Piano repairman, and audio editor living in Brooklyn. Ironically, I am not a professional record-cutter. I started this site in June 2005 as a newbie, dissatisfied with the information available to me at the time. (To some degree, I have remained a newbie!) Running the site takes diplomacy, triage, care, some tech skill, and both empathy and a thick skin.
Honoring Charles Cros (1842–1888) and Hazel Yarwood (1923-2013)
The fundraising drive of the prior 12 months is belatedly named after Charles Cros (1842–1888). Visionary, absinthe-guzzling Frenchman who innovated dada-eque performance poetry, color photography .... and the concept of audio recordings that could be played back. In April 1877, he wrote up a description of a disc-based record etching system, the Paléophone ("Voices of the Past"), and submitted it to the French Academy of Sciences. This was mere weeks before Edison had a coincidental eureka moment and built a working cylinder-based system. Tragically, Cros lacked the funds and timing to manifest his vision, but Emile Berliner built on his ideas in the following decade.
The current fundraising drive honors Hazel Yarwood (1923-2013), a legendary cutting and mastering engineer for British EMI, at Abbey Road Studios from 1947 to 1985. She is credited for innovating the first diamond cutting stylus. (She is best known for her phenomenal classical mastering, but also cut rock'n'roll, including a sought-after pressing of the Beatles' Rubber Soul.).
https://worldradiohistory.com/hd2/IDX-Audio/Archive-Studio-Sound-IDX/IDX/80s/Studio-Sound-1985-05-OCR-Page-0052.pdf
https://worldradiohistory.com/hd2/IDX-Audio/Archive-Studio-Sound-IDX/IDX/80s/Studio-Sound-1985-05-OCR-Page-0053.pdf
https://worldradiohistory.com/hd2/IDX-Audio/Archive-Studio-Sound-IDX/IDX/80s/Studio-Sound-1985-05-OCR-Page-0054.pdf
The recent duration in review
It's been an unusual couple of years for us all. The double-whammy of a worldwide pandemic, and the loss of Apollo Masters, has changed the landscape of the world of record cutting. We are all still adjusting.
For some, the struggles have led to unexpected blessings. Some of those blessings brought new challenges. Others needed to change career priorities, at least temporarily, to get through it all. Even some of those who work with record cutting as a hobby have had to change the nature of their projects. Beyond the specific subject of the site, it's been a period of loss and metamorphosis for most of us, in one way or another.
Throughout this time, it is my hope that the community at Lathe Trolls has been a source of strength, support and enjoyable distraction. The site intends to continue for the foreseeable future-- as long as its members can chip in and support its operating expenses.
Good stuff you already know:
You are using the site, or you have enjoyed it at any point in the past 17 years, as an enthusiastic sharer or lurker; as a giver or consumer of knowledge and equipment, related to the making of old-fashioned grooved records.
- LatheTrolls.com enables the passing on of record-creating knowledge and experience that had been on the verge of being lost.
- It encourages innovation, while aiding in the salvage and repair of irreplaceable older equipment.
- It showcases vinyl art.
- It singularly promotes businesses in this reviving industry, offers problem-solving data and schematics for everything from old home units, to Neumann VMS-80s, to the new exciting record cutting and pressing solutions.
- It helps sellers and buyers of equipment--both common and unobtanium-- find each other.
- It is a unique, invaluable, deep, massive, sprawling database of the world's living knowledge of record-cutting and record-pressing.
- Its users volunteer, daily, to solve the most maddening of technical problems.
- It connects record-making professionals, living engineering legends, and hobbyists on every continent on the planet. And...
- It's fun!
- Domain and hosting related service expenses, including backup services, and advanced firewall services to block Denial of Service (DDoS) attacks. These expenses have crept up in recent years. Two years ago, swarms of bots caused the site to go down several times, and I've had to employ a cybersecurity service since then to block them.
- My work on the site, which is time-consuming. It is a labor of love, but it still needs funding to happen. I manually approve every new user; over 1000 users over the past two years, totaling 4670 active memberships. I also deal with forgotten passwords, requests to edit posts or update image links, and the occasional offstage or onstage drama. Maintaining additional manual backups of the whole site.
- I must keep the site software up-to-date to function with the latest server requirements. Every couple of years, I have to reprogram the site more-or-less from scratch, and migrate the old data to a new shell, just to keep it looking and operating the same with evolving server software upgrades.
- You may have noticed some periods of site outages over the past year-- although far fewer than the year before. Every time you experience this on the front end, I am thrown into action on the back end, sometimes spending days on my computer and phone troubleshooting the latest hosting-provider glitch. All of this takes time, smart decision making, and a lot of effort.
I regret that since this is such a manual operation, I have not always followed through efficiently with the individual "Thank you" mail message that you deserve--even though, I am loudly thanking you over here when your contribution arrives. What I DO do, though, is eventually thank all sponsors and financial supporters of the site on the "Our Sponsors" page, accessible on a button at the top of the page. (Check it out!) At the time of new fundraisers, I archive older sponsorships, but they remain readable by links. Your support is memorialized permanently.
Note that I said "eventually." While I aim to do better, I had to do some catchup manually updating the sponsor page, and so some contributions from the prior fundraiser were only added a few weeks ago. I apologize for this. I will keep the Charles Cros contributions listed up with those from the current Hazel Yarwood drive.
Thanks for your ongoing support.
Yours in all peaceful revolutions,
Steve E.
Administrator
The Secret Society of Lathe Trolls
PS. Please share this link on the social media of your choice. Spread the word!
https://www.lathetrolls.com/fundraiser