Wagner Nichols blanks & repair?
Moderators: piaptk, tragwag, Steve E., Aussie0zborn
Wagner Nichols blanks & repair?
I am considering purchasing a wagner nichols embosser which is for sale locally in my city.
Two things though, first, how difficult would it be to find / make blanks for this machine?
second, the machine is being sold in "as-is" condition. Do you think it would be very difficult to repair/find replacement tubes for this type of machine?
Thanks SOOOO much in advance for any advice you could share with me!
Cheers,
Dewey
Two things though, first, how difficult would it be to find / make blanks for this machine?
second, the machine is being sold in "as-is" condition. Do you think it would be very difficult to repair/find replacement tubes for this type of machine?
Thanks SOOOO much in advance for any advice you could share with me!
Cheers,
Dewey
that looks like nice cutter. aboute tubes/valves there are some web sides that sell lots of NOS tubes but the price can vary depending on what type of tube you need i think you will find a lot of good tube companys if you just google search "NOS vacuum tubes" and of corse its importent that you order the right kind of replasement tube otherwise you might blow somthing up.
but from what i have heard (and my farly limited experience in valve electronics) the valves is often not the problem its more often failing capasitors so you will propobly not need to chage eny tubes but you will propoby change some bad caps and caps are not that expencive but you need to find some that have the corect value.
the only company i know of that still makes blanks for cutting is Apollo but they seens to farly expencive so you might have to use old blanks or make your own blanks out of picknic plates or cutt on CDs.
but from what i have heard (and my farly limited experience in valve electronics) the valves is often not the problem its more often failing capasitors so you will propobly not need to chage eny tubes but you will propoby change some bad caps and caps are not that expencive but you need to find some that have the corect value.
the only company i know of that still makes blanks for cutting is Apollo but they seens to farly expencive so you might have to use old blanks or make your own blanks out of picknic plates or cutt on CDs.
Hi,
Restoration of the electronics should be pretty easy. As was stated, caps are usually the problem. Tubes, both NOS and used are normally easy to find. You may be able to find service info as this may have been covered by Sam's Photofact or Riders. Mechanically, you will probably need to flush out old dried grease and may need to replace or re-condition any rubber idlers or belts. The big issue would be the embossing head. If this is a magnetic device like found in Soundscribers, you should be ok. If its a crystal based unit, it is likely dead and will need to be re-built. This may not be easy. West-tech is a good source for this as well as complete re-building and restoration.
http://www.west-techservices.com/index.htm
You should be able to use PVC, Mylar, or Acetate film found in art supply stores as blank material. I suspect you could also use plastic picnic plates as blanks. If you search here, you should find info on that.
Hope this gets you started.
Mark
Restoration of the electronics should be pretty easy. As was stated, caps are usually the problem. Tubes, both NOS and used are normally easy to find. You may be able to find service info as this may have been covered by Sam's Photofact or Riders. Mechanically, you will probably need to flush out old dried grease and may need to replace or re-condition any rubber idlers or belts. The big issue would be the embossing head. If this is a magnetic device like found in Soundscribers, you should be ok. If its a crystal based unit, it is likely dead and will need to be re-built. This may not be easy. West-tech is a good source for this as well as complete re-building and restoration.
http://www.west-techservices.com/index.htm
You should be able to use PVC, Mylar, or Acetate film found in art supply stores as blank material. I suspect you could also use plastic picnic plates as blanks. If you search here, you should find info on that.
Hope this gets you started.
Mark
Hello,
Thanks for all the wonderful info, you guys totally made my day!
I do feel quite comfortable replacing old caps, tubes & transformers. But the mechanical stuff (belts, etc) might be a bit more of a challenge for me. I am also very curious as to how i could check if it is a magnetic or crystal based unit? I tried googling for Sam's Photofact and Riders, but didn't find much, do you have some links to these pages?
p.s. thanks for the tips on homemade discs, this part is super cool!
Thanks for all the wonderful info, you guys totally made my day!
I do feel quite comfortable replacing old caps, tubes & transformers. But the mechanical stuff (belts, etc) might be a bit more of a challenge for me. I am also very curious as to how i could check if it is a magnetic or crystal based unit? I tried googling for Sam's Photofact and Riders, but didn't find much, do you have some links to these pages?
p.s. thanks for the tips on homemade discs, this part is super cool!
if you not feel comfortabe working on the electronic parts you probobly should send it to a reparir shop that have experiense working on old valve/tube based stuff. i personaly dont have eny experiense sending in eny stuff to a repair shop for repairs (for economic resons i usuly fix all my stuff myself even if it sometimes is a pain in the ass) so i realy cant recomend eny good repair shop but i know that many people here likes West-tech.deweydb wrote:Hello,
Thanks for all the wonderful info, you guys totally made my day!
I do feel quite comfortable replacing old caps, tubes & transformers. But the mechanical stuff (belts, etc) might be a bit more of a challenge for me. I am also very curious as to how i could check if it is a magnetic or crystal based unit? I tried googling for Sam's Photofact and Riders, but didn't find much, do you have some links to these pages?
p.s. thanks for the tips on homemade discs, this part is super cool!
on old unit like that you never realy knows in what state the mecanical stuff is you might get lucky and you only need to change some rubber belts or lady fortune vomits on you from a great hight and you have a mecanism full of rock hard or even melted ruber rollers that needs to be complitly rebuild. but of corse thats also some of the thrill buying old ancient equipment you often dont know what you will get.
but one thing you could do before you will make up your mind if you are going to buy it is to ask if the seller could demonstate if its working.
Well i bought it...
I just couldn't pass up the opportunity to own a machine like this! So i bought it. It came with a stack of blanks which is nice.
I will post back here with some progress and more photos as work goes on.
I will post back here with some progress and more photos as work goes on.
Sam's is availalbe here:deweydb wrote:Hello,
Thanks for all the wonderful info, you guys totally made my day!
I do feel quite comfortable replacing old caps, tubes & transformers. But the mechanical stuff (belts, etc) might be a bit more of a challenge for me. I am also very curious as to how i could check if it is a magnetic or crystal based unit? I tried googling for Sam's Photofact and Riders, but didn't find much, do you have some links to these pages?
p.s. thanks for the tips on homemade discs, this part is super cool!
https://www.samswebsite.com/photofacts.html
I did a quick check and did not find the mfg listed, but it might show with a chassis or model number search. Sam's only goes back to the early 50's, so it might not cover this unit.
This web site may be able to help.
http://www.radioera.com/riders.asp
I have the complete Rider's on CD. So if you have the full model number I'll try to look it up for you.
Keep in mind that you can probably get by without any schematic as these are usually pretty simple devices. Basically just like a phonograph.
I would avoid plugging the unit in without doing some cap replacement. The electrolytic's are usually dried out and could be shorted. I start with all tubes removed and check the power transformer for proper filament voltages and the HV supply (hopefully its not a series string transformerless design). Then, add the rectifier see if the DC B+ comes up to a reasonalbe value. Usually, the only other critical cap(s) are the those that couple the phase inverter or driver (if single ended) to the power output tube(s). If these are leaky, the tubes will be biased into conduction and could be damaged along with the output transformer.
You can probably tell if the embossing head is magnetic by measuring it with a ohmmeter. I would measure with the head out of the circuit. If you get a resistance reading anywhere from 4-1000 ohms, I'd assume its magnetic.
Should be a fun restoration project.
Mark
Progress....
So I pulled it apart today and found a number of interesting things. There were 3 solder connections that had become completely disconnected. I noticed that someone had done work on this machine in the past. They replaced one of the old (electrolytic?) caps with 2 newer looking caps. (I think they used two because the old cap is 20, 20, 20, 20 and the two new ones are 40, 40, 20, 20 and a 20, 20. The way it is wired up it looks like they were using just the 20, 20 from the one cap, and the 20, 20 of the other to make it a match to what used to be there).
I probed the caps for shorts, and found none, but beyond this i'm not sure how to test them.
I pulled all the tubes out and powered it up, then metered the secondary of the input transformer. I got a reading of 689Volts. One of the tubes, a 6E5 seems quite blown to me, but without a tube tester i cannot be sure. Going to bring all the tubes in to the electronics store tomorrow and test them.
I pulled the head off and sure enough it is a crystal head. It is a Sure Crystal Pickup Cartridge and has W428 printed on one side, and 1152 printed on the other. Does this mean anything to anyone?
Here are some pictures:
I probed the caps for shorts, and found none, but beyond this i'm not sure how to test them.
I pulled all the tubes out and powered it up, then metered the secondary of the input transformer. I got a reading of 689Volts. One of the tubes, a 6E5 seems quite blown to me, but without a tube tester i cannot be sure. Going to bring all the tubes in to the electronics store tomorrow and test them.
I pulled the head off and sure enough it is a crystal head. It is a Sure Crystal Pickup Cartridge and has W428 printed on one side, and 1152 printed on the other. Does this mean anything to anyone?
Here are some pictures:
Hi,
Interesting. I guess they used the Shure as an embossing head and playback pickup. Clever. Probably will need to be rebuilt at West-Tech.
Given its a crystal, that would imply its driven directly off of the plate(s) of the output amplifier. What is the tube complement of this machine?
The 6E5 can be costly to replace. These are quite often dim due to age. Depending on how much you want to keep it original, you could elect to not replace it and use a meter as the level indicator.
Its also a good idea to replace all of the old paper caps as these are usuallly leaky. Does not look like there are too many to do. The FP style electrolytic should be replaced. You can buy new, but these tend to be expensive. I'd opt to replace with under chassis single section modern axial lead caps. They are readily available.
Since the whole restoration revolves around the head, I'd first get in touch with Gib at West-Tech and see if he thinks his re-build will work in this application. Based on some current posts, that may be a bit difficult as he does not seem to be responding to emails or phone calls in a timely manner right now. You might want to test the pickup/cutter first. If you have acess to a scope, connect the pickup to the input and tap the stylus, you should see a volt or two peak output on the screen. You could also hook the pickup to the input of an audio amp and see if it reproduces a click when you tap the stylus. Since these are high impedance devices, try to find an amplifier with an high impedance line level input (a guitar amp would be a good choice).
Mark
Interesting. I guess they used the Shure as an embossing head and playback pickup. Clever. Probably will need to be rebuilt at West-Tech.
Given its a crystal, that would imply its driven directly off of the plate(s) of the output amplifier. What is the tube complement of this machine?
The 6E5 can be costly to replace. These are quite often dim due to age. Depending on how much you want to keep it original, you could elect to not replace it and use a meter as the level indicator.
Its also a good idea to replace all of the old paper caps as these are usuallly leaky. Does not look like there are too many to do. The FP style electrolytic should be replaced. You can buy new, but these tend to be expensive. I'd opt to replace with under chassis single section modern axial lead caps. They are readily available.
Since the whole restoration revolves around the head, I'd first get in touch with Gib at West-Tech and see if he thinks his re-build will work in this application. Based on some current posts, that may be a bit difficult as he does not seem to be responding to emails or phone calls in a timely manner right now. You might want to test the pickup/cutter first. If you have acess to a scope, connect the pickup to the input and tap the stylus, you should see a volt or two peak output on the screen. You could also hook the pickup to the input of an audio amp and see if it reproduces a click when you tap the stylus. Since these are high impedance devices, try to find an amplifier with an high impedance line level input (a guitar amp would be a good choice).
Mark
some progress
So I've managed to replace all the old caps, and i replaced some of the broken tubes. I also sent the stylus to Gib, and got it back fully restored! (thanks gib!!)
Here is a pic of the insides with the new caps. It looks slightly different than this now as i have replaced one of the resistors as well because the lead broke off during my work.
The machine now runs well, the platter turns consistantly without noticable distortion to the speed.
The tonearm tracks the records well, and i can even run it in embos mode and it will slightly embose the blanks.
The only remaining problem is that the ebosed discs don't get a very strong signal written to them, they all sound somewhat quiet, with a lot of noise (crackle) in the background. Like a really bad signal to noise ratio.
I noticed that at the back of the machine, attached across the input/output wires to stylus, is 4 series neon lamp bulbs. At least i think they are neon lamp bulbs, i am attaching a picture of them.
one of them 4 bulbs is no longer even connected and one looks burned out, and this looks like it has been repaired twice in the past, as there are two different layers of tape wrapped around them and one tape looks more dated that the other tape.
I went to the electronics store and asked someone about them, they suggested that i buy some neon lamp bulbs and try wiring them up. the only neon bulbs they had are 90Volts AC, and require a 100k resistor (in series?).
If i was to wire up four of these in the same place it would imply that the output of this wright head can output as much as 360 Volts AC?!?
This seems really strange to me because usually stylus cartridges output voltages in the range of 100-500 mV.
What am i overlooking here? What is the purpose of these bulbs? Should it try to insert the new ones as a replacement?
Here is a pic of the insides with the new caps. It looks slightly different than this now as i have replaced one of the resistors as well because the lead broke off during my work.
The machine now runs well, the platter turns consistantly without noticable distortion to the speed.
The tonearm tracks the records well, and i can even run it in embos mode and it will slightly embose the blanks.
The only remaining problem is that the ebosed discs don't get a very strong signal written to them, they all sound somewhat quiet, with a lot of noise (crackle) in the background. Like a really bad signal to noise ratio.
I noticed that at the back of the machine, attached across the input/output wires to stylus, is 4 series neon lamp bulbs. At least i think they are neon lamp bulbs, i am attaching a picture of them.
one of them 4 bulbs is no longer even connected and one looks burned out, and this looks like it has been repaired twice in the past, as there are two different layers of tape wrapped around them and one tape looks more dated that the other tape.
I went to the electronics store and asked someone about them, they suggested that i buy some neon lamp bulbs and try wiring them up. the only neon bulbs they had are 90Volts AC, and require a 100k resistor (in series?).
If i was to wire up four of these in the same place it would imply that the output of this wright head can output as much as 360 Volts AC?!?
This seems really strange to me because usually stylus cartridges output voltages in the range of 100-500 mV.
What am i overlooking here? What is the purpose of these bulbs? Should it try to insert the new ones as a replacement?
Further update
We replaced the four old neon bulbs with the four new ones after metering the output of the emboser when in embose mode and a very hot voice signal running into the machine through the microphone. This produced voltages on the scale of what would be expected to power these four neon bulbs, so we decided to solder in the replacements.
They work great, but i still don't really understand the purpose of the bulbs other than some mearly cosmetic result of making the machine glow from the inside when it is embosing a very loud sound.
We managed to get the emboser to write a (fairly distorted) cut to a record, and there is still quite a lot of background noise.
Does anyone have any ideas on how i could reduce the noise in the circuit? or make the write head cut a cleaner signal?
Thanks,
Dewey
They work great, but i still don't really understand the purpose of the bulbs other than some mearly cosmetic result of making the machine glow from the inside when it is embosing a very loud sound.
We managed to get the emboser to write a (fairly distorted) cut to a record, and there is still quite a lot of background noise.
Does anyone have any ideas on how i could reduce the noise in the circuit? or make the write head cut a cleaner signal?
Thanks,
Dewey
Hi Dewey,
Looks like you are making great progress. If I had to guess, I'd say the neon's are in the circuit to act as a poor man's limiter. They function much like a modern zener diode and were often used in voltage regulator circuits. Do you believe that these were original to the unit or added later? Were they visible or were they encapsulated? If they were visible, they could also have been used as a peak overload recording indicator rather than a limiter (or perhaps both).
As far as background noise goes, that may be more a function of the material you are using and/or the conditon of the stylus. Is the same background noise present if you disconnect the wires to the head and emboss a silent groove?
Mark
Looks like you are making great progress. If I had to guess, I'd say the neon's are in the circuit to act as a poor man's limiter. They function much like a modern zener diode and were often used in voltage regulator circuits. Do you believe that these were original to the unit or added later? Were they visible or were they encapsulated? If they were visible, they could also have been used as a peak overload recording indicator rather than a limiter (or perhaps both).
As far as background noise goes, that may be more a function of the material you are using and/or the conditon of the stylus. Is the same background noise present if you disconnect the wires to the head and emboss a silent groove?
Mark