dehorned mother

Once you have cut a master laquer, you have metal stampers created and have records pressed from them. Discuss manufacturing here. (Record Matrix Electroforming- Plating, Vinyl Record Pressing.)

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vhugo31
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dehorned mother

Post: # 11625Unread post vhugo31
Tue Nov 30, 2010 10:54 am

Hi, all
I have got a troubles with puppets on LPs (its surface is sensitive to touch). Would anyone know how to fix the problem - what kind of procedure should be followed to avoid the puppets?Can you hel me how dehorned mother or "lacquer "?
Appreciate your advice
Thanks

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Steve E.
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Post: # 11627Unread post Steve E.
Tue Nov 30, 2010 11:20 am

Am I missed something here?? what does this mean? I feel like I'm in the middle of Dylan's "Ballad of a Thin Man" or something.

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opcode66
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Post: # 11630Unread post opcode66
Tue Nov 30, 2010 12:25 pm

If your grooves have horns that is cut into the master. Either a dull stylus was used or the stylus was over-heated. Not sure if anything can be done other than having a new master cut.
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Steve E.
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Post: # 11631Unread post Steve E.
Tue Nov 30, 2010 12:51 pm

What are "puppets"???

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opcode66
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Post: # 11633Unread post opcode66
Tue Nov 30, 2010 1:08 pm

I was wondering the same thing...
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Nickou
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Post: # 11635Unread post Nickou
Tue Nov 30, 2010 2:06 pm

static electricity discharge make that

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Steve E.
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Post: # 11638Unread post Steve E.
Tue Nov 30, 2010 3:57 pm

crackles?

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Nottinghamtoolexalpha2
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Post: # 11640Unread post Nottinghamtoolexalpha2
Tue Nov 30, 2010 4:19 pm

Horns never really use to matter unless the record jumped - usually they come off as soon as the stylus passes over them ....I always thought it was the plating that was the cause - not the master/laq...?
" If you can't make it out of vinyl, it's not worth making at all...! "

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opcode66
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Post: # 11645Unread post opcode66
Tue Nov 30, 2010 6:43 pm

i've read that an overheated stylus can cause horns. a fellow cutter also told me this tidbit of info.
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Aussie0zborn
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Post: # 11671Unread post Aussie0zborn
Thu Dec 02, 2010 4:37 am

Yes an overheated stylus and over-modulated groove can cause horns in the lacquer. Looking at a cross section of the lacquer disc, these appear as waves extending over the edge of the groove and often curling over. K-Disc USA wrote an excellent white paper on this subject.

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GeorgeZ
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Post: # 11674Unread post GeorgeZ
Thu Dec 02, 2010 9:44 am

Aussie0zborn wrote:Yes an overheated stylus and over-modulated groove can cause horns in the lacquer. Looking at a cross section of the lacquer disc, these appear as waves extending over the edge of the groove and often curling over. K-Disc USA wrote an excellent white paper on this subject.
I've just started cutting lacquers with our VMS-70 so I'm also interested in that white paper about horns and how to dehorn lacquer plates (or mothers???)... I want to avoid them at my lacquers and also to know how to remove them if somebody supplies us with a lacquer foil full of horns. Can you post here a link to that paper? Thanks.
BTW: No similar problem with DMMs :-)
Jiri Zita
Premastering specialist
GZ Vinyl / GZ Media Lodenice
Czech Republic


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mossboss
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Post: # 11680Unread post mossboss
Thu Dec 02, 2010 5:31 pm

Puppets on a lacquer Andy B mate not on a string

Horns! well bulls and cows have them as well as some other creatures
Seriously,
Horns is an old term dating back when wax was the cutting medium and graphite was used to make the wax conductive
These nowdays will be on the lacquer due to a variety of reasons the most common one is the lacquer itself which will by the nature of the process will get "compressed" by the stylus as it ploughs its way through it
The cut area will want to find its way back to its original state so it will "move"
Very fine hair some times will pop out on the cut area which after been silvered will atract a lot of nickel on them as the deposit is build up
So the way to do it is dehorn the positive if any pops or clicks are heard during play of the positive
There is no way you can dehorn a lacquer or a negative
The neg is not able to be played back so it is done on the mother or as the Germans call them Father in other words the positive part of the metalwork
Fine needle sharpened under a 20 power glass with the right angle a very fine wheel or diamond wheel a good microscope a good pair of ears
Pick them out done, than the negatives would most likely be fine to go into production
Common practice years ago rarely done today if at all
There is no way that horns will ever be scraped away during play back either not if they are on the groove of the negative as it will be the positive on the record in other words there will be a "hole" there which causes the pops and clicks depending how bad they are
Cheers
"The Vinyl Truth"
Chris

Aussie0zborn
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Post: # 11684Unread post Aussie0zborn
Fri Dec 03, 2010 7:35 am

After a couple of PMs I iwll dig out the the white paper I mentioned. It is somewhere in my archive and my archive is somewhere in my garage so this is a project for the Christmas holidays. The paper was published by the now defunct Keysor-Century Corporation who made a very nice vinyl record compund and who were the owners of K-Disc, the cutting and pressing facility based in California and gives you a very good understanding of how horns form.

Another method of de-horning mothers was to use jeweller's rouge to polish the surface of the mother but a steady hand with a good microscope and an old sharpened darning needle does the trick perfectly.

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