RCA Recorder Head MI-4896 info
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RCA Recorder Head MI-4896 info
hello
I have this vintage cutter, and before burning it ... I would like to know some tech datas, like maximum permissible drive current or maximum power, or its curve of frequency response...use transco #362 stylus? all information its welcome
thanks! and merry chrismas!
I have this vintage cutter, and before burning it ... I would like to know some tech datas, like maximum permissible drive current or maximum power, or its curve of frequency response...use transco #362 stylus? all information its welcome
thanks! and merry chrismas!
Marcos
Hi Andy!
have a lot of good things!!
stylus heating with adjust and iluminated meter
start, stop, lead in, lead out and mark, all with her "particular" speed
feed screw speed iluminated meter with pwm-vari-groove-kind (its a lighting psicodelic adapted, but works! with tc delay)
two switchs for manual or automatic work (starts turntable, positioning the cutterhead and go down slowly, when go finish stop the feed screw and lift up the cutterhead) im very happy
Merry Christmas!


have a lot of good things!!

stylus heating with adjust and iluminated meter
start, stop, lead in, lead out and mark, all with her "particular" speed
feed screw speed iluminated meter with pwm-vari-groove-kind (its a lighting psicodelic adapted, but works! with tc delay)
two switchs for manual or automatic work (starts turntable, positioning the cutterhead and go down slowly, when go finish stop the feed screw and lift up the cutterhead) im very happy

Merry Christmas!

Marcos
wow.wow.wow. !very very nice...you did a great job. i think this lathe found a perfect home...
about the rca head.no infos yet. there are a few stacks of datasheets and infos i have to check. but the head looks like a standard solution like presto head and many others. thanks for the pictures anyway.
about the rca head.no infos yet. there are a few stacks of datasheets and infos i have to check. but the head looks like a standard solution like presto head and many others. thanks for the pictures anyway.
- cuttercollector
- Posts: 431
- Joined: Sun Jun 11, 2006 4:49 pm
- Location: San Jose, CA
It looks like the one in my RCA portable. A lot of early ones of many brands just used a horseshoe magnet assembly. This looks like one of those. I know Gib, the West Tech guy here in the US lists a price to rebuild and remagnetize that general type of cutter. It would be very interesting to hear what kind of sound it would have, restored and used in a modern lathe. The amp it would have been driven by would probably just have had a capacitor to make a simple high pass filter to record the "standard curve" whatever that was, for 78s. One thing, some of those were 600 ohm and some "voice coil" impedance.

thanks
yes flozki, and your feedback-turntable-servo-dc motor design works very good too
the cutterhead have 3,9 ohms, and the wire gauge its similar to a hi-fi loud speaker, i test with a pnp-npn amp with 60 wats ultra-A
for the recording riaa curve i use a vst pluging
this cutterhead have a "dark" sound

for the test i use pink noise at -15dbs, 1 minute, i use a infrared termometer for check the drive coil and no go up same room temperature, i believe its very strong if put "good" the signal
that cutterhead use #362 transco stylus (thanks Janice)
now i go for made more test, very interesting cutterhead
Marcos
- cuttercollector
- Posts: 431
- Joined: Sun Jun 11, 2006 4:49 pm
- Location: San Jose, CA
My portable machine with a head that looks a lot like this was made in more like 1946. Your 1966 date is well after anyone was making heads like that. It is not a pro unit. Lacquer was the material of choice for instantaneous recordings not meant to be mastered and pressed.
RCA was using Westrex feedback "D spec" like everyone else for their prof. wax masters even before WWII. This is clearly viewable in the "Command Performance" movie available all over including archive.org.
RCA was using Westrex feedback "D spec" like everyone else for their prof. wax masters even before WWII. This is clearly viewable in the "Command Performance" movie available all over including archive.org.
I've got that "Command Performance" movie on DVD. Several sellers on ebay sell it, along with a few other interesting movies, such as a tour of the Wurlitzer factory around 1948 showing the manufacture of the famous Wurlitzer 1015 jukebox. The RCA movie is a very good documentary showing how shellac records were made around 1938. No tape in use then, everything was cut directly to wax.
Towards the end of the movie, where they show a typical family listening to the records, they show one of RCA's "Magic Brain" record changers. Been looking for one of those for years. It played both sides of a stack of records. Since those were introduced just before WWII, very few were made.
Tom
Towards the end of the movie, where they show a typical family listening to the records, they show one of RCA's "Magic Brain" record changers. Been looking for one of those for years. It played both sides of a stack of records. Since those were introduced just before WWII, very few were made.
Tom
well, very nice!
you need a perfect cutting head?:
https://lathetrolls.com/viewtopic.php?t=458&mforum=lathetrolls

you need a perfect cutting head?:
https://lathetrolls.com/viewtopic.php?t=458&mforum=lathetrolls

This cutting head was used =in several different applications, none really professional. It is essentially a slightly modified version of the phonograph pick up introduced on the 1929 Victor RE-45. This unit was used to embiss pre-grooved discs in the RCA-Victor "store recorder", and with a diamond "trailing point" it was used to make embossed raw aluminum reference recordings in thwe early 1930's. This recorder was also offered for a few years in the mid 1930's as the entry level recording head for use with instantaneous (acetate) discs.
I have a couple of these RCA heads as well as several other "horseshoe" mono heads. Sound is OK for home recording, very "warm" in most cases. Don't know how the coils would behave with RIAA encoded signal - might be too much high and blow; never tried.
Had a portable lathe that used this head but gave it to my cousin...

Also had a overhead attachment (early version) for a 70D transcription turntable that used this head. Have a picture somewhere, will post later.
Most of the mono "horseshoe" heads do have a warm sound, mainly due to their design and the way they're damped - rubber rings on the armature and some have the top of the armature damped into a block of rubber. If the rubber parts haven't been replaced, the sound is awwwwfulllll...
Had a portable lathe that used this head but gave it to my cousin...

Also had a overhead attachment (early version) for a 70D transcription turntable that used this head. Have a picture somewhere, will post later.
Most of the mono "horseshoe" heads do have a warm sound, mainly due to their design and the way they're damped - rubber rings on the armature and some have the top of the armature damped into a block of rubber. If the rubber parts haven't been replaced, the sound is awwwwfulllll...
